600 UPSTAND · 10MM TOUGHENED · 2340 FULL HEIGHT
Between the bench and the overheads sits roughly 600mm of wall. It is the smallest surface in the kitchen and the one people notice first, so it gets chosen last and regretted most. This guide sets out the decision in order: role, then material, then format and grout.
2 ROLES · 1 DECISION · 600 GAP
A splashback has one structural job — keeping water, steam and cooking oil off the wall behind a working bench — and one visual job, which is where the arguments start. In most kitchens it should be the quietest surface in the room: one colour, running behind the joinery so the eye reads cabinetry, bench and window instead. In a few, it is the only place pattern genuinely belongs, and then everything around it has to step back.
The benchtop settles it. If the slab carries strong veining, the wall above should sit close to plain, or the two compete across a 600mm gap and the room never rests. If the bench is a flat, near-solid colour, the wall can hold the texture — a glazed tile with movement in the surface, a vertical stacked format, a stone with a coarser grain. Choose the two together, on the same table, in the same light.
3 MATERIALS · TILE · GLASS · STONE
Once the wall’s role is settled, the shortlist is short. Three material families cover almost every Oakleigh kitchen, and each one decides how the wall is cleaned, how it is measured and when it can be ordered.
75×300 · 100×100 · 600×600
The most forgiving option and the easiest to repair years later. Grout lines are part of the design, not a by-product, so the layout is drawn before anything is ordered. Handmade glazes vary between batches — order from one batch, with overage for cuts and breakage.
6MM · 10MM TOUGHENED · 1 SHEET
One sheet, no grout, cleaned in a single pass — which is why it suits the wall behind a cooktop better than almost anything else. It is templated after the cabinetry and benchtop are installed, so cut-outs for power and tapware land where they truly sit rather than where a drawing predicted. Back-painted glass reads as flat colour and picks up the light; antique mirror throws a window back into a dark galley, but shows every fingerprint at close range.
20MM · FULL HEIGHT
The benchtop material carried up the wall, vein-matched where the slab allows. Nothing to clean but the surface itself, and the joinery reads as one piece. It commits you to the slab, so choose it at the yard, not from a sample chip.
Reference photo — a dark scheme where the tiled wall stays tonal with the cabinetry, and under-cabinet light does the work the pattern would otherwise have to.
4 FORMATS · 1 GROUT DECISION
Pattern in a splashback comes mostly from geometry rather than colour. The same white tile laid in running bond looks traditional, stacked vertically looks current, and set in herringbone becomes the feature of the room. Decide the direction before the quantity, because a diagonal or herringbone layout needs noticeably more tile and far more cutting at the ends of each run.
Then the grout, which changes the result more than most people expect. Matched to the tile, the wall reads as one soft surface and the joins vanish. Contrasted, the grid becomes the pattern — strong in a small kitchen, relentless across a long run. A mid-tone grey is the honest middle: it holds its colour behind a cooktop instead of shading unevenly over the first year.
04 CHECKS · STAGE 10 OF 13
1 WALL · 3 MATERIALS · 1 SET OF DIMENSIONS
Splashback decisions are quick once the layout and benchtop are settled, and slow when they are made in isolation. Tell us the kitchen you have, the cooktop you intend to use and the look you are after, and we will work the wall finish into the drawing with everything else.